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It is often said that only a (ne line separates genius from madness, implyingthat a limit exists to how far we can transgress rules and norms. Today weunderstand this old saying as expressing the closeness of creativity to deviation.By adopting Lev S. Vygotsky’s concept of creativity as combining in new ways,we might bracket the discussion of deviation and turn our attention to transgression,creativity, and the eects of toys on the development of the creative mind.Many kinds of work require creative skills and innovation. However,one might argue that, for children, creativity produces a feeling that they cancontribute to their surroundings and gives them a sense of control, of being the cocreatorsof their world. In this article, I discuss how the young developcreative skills during the various unstructured social situations of childhood.More broadly, I focus on the role—positive, negative, or neutral—that play withdierent types of materials has in producing transgressive acts. By transgression,I mean the novel acts children bring into a play, and I argue that children need
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